Jenny and I have an important art show this weekend, and we wanted to have the paperback edition of The Toughskin Rhinoceros Wrangler Company ready to sign, but we experienced production setbacks and it won’t be ready.
Especially when you’re dealing with smaller print runs and smaller printers, your project just isn’t much of a priority.
So, we wait. And the book will arrive in the middle of a week when we have nothing planned.
It seems like the consensus is that if you want to write for children and young adults you have to write about farts and underwear and unicorns. Anything but reality.
I’m fine with that.
I find reality to be heavily overrated.
Yesterday I was invited to join a team and write for a fantasy role-playing game. Specifically I was asked to help write the undead and demon creatures and scenarios.
I’ve begun researching the history of the ghoul, a misunderstood undead creature. How does one even become a carrion feeder?
Aside from this additional writing project I’m still working on the project for The Rock River Times. And wrangling several blogs. Getting ready for Spring Art scene. Trying to get food into my body and workout. Hoping The Toughskin Rhinoceros Wrangler Company will be finished early next week so we’ll have it for Spring Art Scene.
Busy times. I’m sure my attention will veer off from these tasks I know are the most important and I’ll want to write a book for kids about ghouls or flatulent zombies.
I just sent the files for the softcover version of The Toughskin Rhinoceros Wrangler Company to the printer and it is in preflight. I’d like to have it back so Jenny and I can sell it at Spring Art Scene when we display our Tiny Drawing Poems for the first time. However, as anyone who has dealt with printers before knows its a very unpredictable part of the process. I’m slightly anxious that because it’s a very thin book there won’t be much to it in paperback version, but we saved almost five dollars a copy doing it this way.
Not really money for nothing, but it’s time to re-order The Toughskin Rhinoceros Wrangler Company. We sold out the original press run, and now we must decide to order more or just move on. As most writers and small publishers know, there just isn’t a lot of profit in small press runs. After printing costs, shipping, postage, and a dozen other small expenses one never thinks of until they arise, you’re just not making any money, so either you decide to do it because you like what you’re doing, or move on to something else.
I designed the second printing on In design, got a quote from the printer, who offered a generous 10% discount, then started debating whether or not I wanted to a second printing at all. I love the book and it turned out beautifully, but I can’t say anyone is beating down our door to get it.
I received several emails from Chinese publishers promising they could do the project for half as much, but I shudder to think what type of human rights and environmental violations they have to commit to make it so cheap, so I’ll stick with my printer right here in Ohio. I’m just not chomping at the bit to give them any more money right now as much as I’d like to have another printing.
It would be so nice to not have to do all of this while trying to live a life simultaneously.
Jenny likes to fast forward through the commercials when we watch television. And it drives me batty. I grew up with commercials. Commercials are like the circadian rhythm. I can’t comprehend how anyone watches television without the buffer zone of the commercials. Commercials allow you to get a snack, to collect your thoughts, to, umm, relieve yourself. How can anyone watch television without commercials?
You have meddled with the primal forces of nature. And by primal forces I mean my kidneys. My kidneys need commercials. My kidneys grew up watching commercials. Who is the sadist who invented the technology that allows her to fast forward through commercials on programs that aren’t recorded? I don’t know what kind of planet we’re living on these days, but I long for the good old days of broadcast television. I started my career as a television watcher as a designated channel changer. This was in the days before remote control. Or at least the days before my family had remote control. Who needed it, they had me. Forty years later you can’t sit on a couch with someone who doesn’t get fidgety three seconds into a commercial about antacids. I need to know about antacids. And upcoming truck and tractor pulls, and whatever it was they were selling in that mysterious blue bottle. I understand a great many of you will tune in to a sporting event you can’t stand tomorrow just to watch the commercials, then talk about them as if you were discussing classic cinema, only to return to your commercial zapping ways on Monday. Not me. I love commercials.
Please give me back my commercials.
Oh, what a relief it is.
Last March the roof of the historic Midway Theatre collapsed. I live a block away from the Midway and I pass by it nearly every day so I was deeply saddened a building this beautiful was allowed to fall into such a shameful state of disrepair by a ruthless property speculator. It’s typical in downtown Rockford for people to buy historic structures then allow them to rot away waiting for money from the tax payers to fix them up. The city gave the deadbeat owner several months to make repairs, but this week it was revealed the repairs have yet to be done. So they gave them an extension
This is a photo of the Midway taken by a very good photographer friend of mine Ryan Davis. Also pictured are the gloves I left at the Goodwill store earlier this week. You can see what a beautiful place it is. What a crime for it to become another victim of a city with a moribund sense of conscience. My full Zombie Logic blog on the Midway.
Why do kids seem to hate asparagus? Looking at it and even smelling it you might think they have a point. It is bitter and funky tasting. So why are we so keen on making kids eat things they don’t want? I read an article once from a respected and highly credentialed scientist stating it really didn’t matter very much what kids ate as long as they we eating something. That seems contrary to everything we ever learned from day one, but a lot of what we know now is quite different than what we knew was true even twenty-five years ago. Anyway, the first thing Jenny and I ever worked on was this panel for a book we still have to finish. It’s all about food aversion. Not the entire book, just this panel. It stars Ella.
Artichokes, asparagus, and anchovies.